it's been a little while since i released the last ['ramp] album, and frankly i wouldn't have thought any new recording would ever see the light of day. hard to imagine that this world was a slightly different one when "no sleep 'til wilmersdorf" was released four years ago, and no one would seriously have guessed our world would take such a massive nosedive, right?
it is not only the dire prospects of future we are facing -- in some way or other, i also had to deal with the passing of one of the most crucial figures in my personal and musical evolution, cosmic hoffmann. in fact, it took me almost three years to come to grips with the fact klaus isn't around any longer. much of this cathartic mourning process is to be found on "happy days", and sometimes it even feels as if klaus was intervening from beyond (or elsewhere).
come to think of it, i am even happier i managed to finalise a string of recordings made between the summer of 2017 and april 2022 -- and arrange them in a more or less meaningful way as an album of entirely new (and at the same time very old) music. in some regard it might be seen as a continuation of what was already present on "wilmersdorf". on the other hand, though, the music presented here took on a life of its own thanks to the recent events, and i must admit that i haven't made anything *that* doombient since my own "hoellenengel" album from 2004/05 (even though "happy days" is nowhere near as bleak, but that's only me, of course). honestly, i wasn't all too keen on taking that dark turn again, and i was perfectly happy to have left the gloomy reaches of electronic music behind a bit.
well, it wasn't meant to be for long, was it?
thanks for your ongoing support -- i hope you will enjoy "happy days" as much as i enjoyed creating it.
credits
released August 29, 2022
all music composed, arranged, and performed by stephen parsick at dachgeschoss borgholzhausen between june 2017 and april 2022.
recorded, mixed, engineered, mastered to basf sm 900, and produced by stephen parsick in june and july 2022.
stephen parsick: analogue synthesisers, keyboards, and sequencers; electric piano; mellotron; tapes, loops, and treatments. no midi used.
no synthesisers were harmed in the production of this album.
sleeve photographs and concept by stephen parsick.
sleeve design by bernhard woestheinrich / studioflokati.
welcome to the doombient.music webshop here on bandcamp -- here you will find all releases by stephen parsick and ['ramp] in
one place, sorted chronologically. more is still to come, please feel free to drop by every now and then.
of course, you can still browse the respective sites stephen and ['ramp] have -- this here is the more convenient solution.
supported by 12 fans who also own “happy days are here to stay”
I think Cosmic Ground is a exciting band. Old fashioned and with nice vibes and rhytms. But I miss something. Many compare with TD. Maybe, but I lack the crescendo at the end of the songs. It becomes boring when the end lacks a Froeselike guitarsolo. Something is missing, the crescendo is missing, the songs just exit out with no proper end explosion. Roger Adler
supported by 11 fans who also own “happy days are here to stay”
I love Dirk's music and got the lot. I like it so much I had to have it all (well what's available) on vinyl. This is PROPER old-school Berlin-school. In the studio, brilliant, Live pure magic. Thank you Dirk. Robert Wallace
Xeno & Oaklander return with an album full of their trademark minimalist synth grooves and slow-winding vocal melodies. Dark and mysterious. Bandcamp New & Notable Apr 11, 2016